Dare to Be Different! A Tribute to Fannie Lou Hamer

Fannie Lou Hamer

We live in a world that demands conformity.  We are rewarded for being average, for fitting in and simply going along to get along.  To be average is to be mediocre; it is to be in that big hump in the bell curve.  I don’t think it was in the creator’s intent for us to be average when we were created.

We are each a designer original.  We were designed differently to live do that unique thing we were created to do.  Over time we are taught to stop being us and be like everyone else.  When you choose to standout teachers will say, “You aren’t like the rest of the children.”  Our reply should be, “We weren’t designed to be like the rest of the children and I am not going to allow you to put me in that box.  I am going to be the unique and different.  I am going to be the me the creator created me to be.”

As we get older it doesn’t stop.  We go to jobs on the daily that demand we fit and do what is expected of us.  If we do what is expected we will never do the unexpected, the unusual, or the extraordinary. If we always follow the rules we will never change the rules of the game.  I refuse to fit in!  I refuse to do what you want me to do but rather I will do what I was created to do the way I was created to do it. 

Don’t expect people to understand you or what you do.  You have to understand you and what you do.  You have to make sense to you.  When you dare to be different people will look at you funny, they will talk about you, they will not understand you and in many cases they will not respect you.  Their disrespect comes from their disdain for you because you have chosen not to play the game they are average at playing on the daily. 

Today I say to you dare to be different.  Dare to express yourself?  Dare to do that thing that others said you couldn’t do or shouldn’t do!  Do that thing that when you tell people you are doing they look at you like you are crazy.  What is it about you that makes you standout?  What is it about you that you need to amplify that says “I’m different and my difference makes a difference and makes this world a better place; more just, more loving, more kind and more creative? What is different in you that society has talked out of you? 

DARE TO BE DIFFERENT AND MAKE A DIFFERENCE!

Deciding on What's Next: This Is Your Journey!

Yesterday, after worship, one my fellow church members who sits next to Vanessa and I asked, “So where have you been this summer, we’ve missed you.”  I replied, “I have been shooting pictures and making videos working on my degree at Savannah College of Art and Design (SCAD).”  He replied, “I thought you already had your doctorate.” “I do but I am doing an MFA in photography.” It was as if he were implying that I should be done with school because I have a PhD and DMin.   Degree completion(s) are only a part of the journey they are not the end of the journey.  I firmly believe that we should be life long learners.  This doesn’t mean we have to keep enrolling in degree programs but it does mean that we should continue to advance our knowledge, skills and passions in some kind of formal sustained process.

Tonight I will present my summer work for my class at SCAD.  This will be the official end to my first year of studies at SCAD.  Being trained as an artist has been both challenging yet very rewarding.  When I think back over the year I am reminded how I have grown as an artist.  From the very first quarter I have been pushed.  The professors at SCAD have made me look inward in search of my creative sources.  It has been an inward journey to produce art that is created with the intent of being shared publicly.

At SCAD we are constantly creating art to be critiqued by our peers and professors. This isn’t writing the paper, turn it in and get the grade.  The private dialogue between professor and student is not what happens at SCAD.  What I appreciate most about SCAD is that leaning, developing and growing, as an artist is truly a communal project.  I have enjoyed being apart of my new community because in this community I have found new life, new energy and an excitement about the demands of my work. 

I would wish that everyone could experience what I have experienced this past year.  This isn’t new to me because I have committed my life to navigating my journey. This thing is about the journey; the joy of the journey is challenging you to become yourself.  This is a process of constant discovery, hard work and never resting on what you did yesterday.  What we did yesterday is a part of the journey and informs the next leg of the journey but if we stop to long to read what we wrote we might never write again. 

I choose to continue to write my story.  The journey isn’t over yet and I thank God for leading me to SCAD.  Where are you being led?  What is that next stop on your journey that will help you see more, be more and do more of what is in you that is trying to get out? 

Motivating Yourself to Do Your Work: What works for you?

@Ralph Basui Watkins

I am involved in a three-year project documenting the transformation of Auburn Avenue in Atlanta Georgia.  I am nine months into the project.  At times it is hard to get excited about my work. I am trying to find new things to shoot, write about and people to connect with, week after week. Going down to Sweet Auburn every week for the next three years is my life now.  So the question becomes how do I keep myself excited about my work and what are those things that motivate me to keep going?

1. I am passionate about my work.  I care about the work I am doing and the people I am connecting with.  This is central to what I do. I have to care about what I do.  I can’t do it for a grade, money, tenure or some external reward.  My motivation is intrinsic.
2. I have to believe that my work has the potential to make the world a more just place.  My work has to make a difference that transcends the work and me. It isn’t about me but it is about the cause that I have been called to connect with in the process of doing the work.
3. I have to find a sense of joy in doing the hard work.  I have always said that the key to success (however you want to define success) is founded on good hard work.  Not just hard work but good hard work.  I have to make good pictures, tell quality stories, not just take pictures and tell stories.  At the root of this is getting up everyday and putting the work in. You can’t just talk the talk but you must get up and make the walk to that place where you put the work in. Discipline is as simple as doing what needs to be done, when it needs to be done, as well as it can be done.
4. Finally, to enter my work and creative space I have to read to open my mind up to that creative space.  I have to look at images, read and watch stories and while doing this I make mental and written notes / drawings that inform my work / creative process.

This week I am reading three books:

I am looking at the images of Charles “Teenie” Harris:

I am watching On The Road with Charles Kuralt:

1. What are you passionate about?
2. What can are or you doing that has the promise of making the world a better place?
3. What is that gives you a sense of joy?
4. What is it that puts in that creative space that starts you on the creative process?

These are my four questions.  What are yours? What are those things that move you to get it done?  What motivates you and moves you to do you?  When you identify these things and ignite them in your world your creative output will increase ten-fold!

Tell Your Story: The Legacy of Charles “Teenie” Harris

Charles "Teenie" Harris

“Embracing the gray area between objectivity and subjectivity, information and interpretation, journalism and art, the create powerful visual reports that transcend the realm of traditional photojournalism.”

Breet Abbott

Engaged Observers: Documentary Photography Since the Sixties p.1

While Brett Abbott was talking about the generation of photographers who followed Charles “Teenie” Harris I want to suggest that his definition of the “engaged observer / documentary photographer” fits Teenie and his work.  Tennie was a photographer who documented African American life in the Hill District of Pittsburgh from the 1930 through the 1970s.  Tennie Harris took over 80,000 shots over his career.  He chronicled Black life in the Hill District and throughout the city of Pittsburgh.  His work is considered the most complete document of urban life in American history. 

The Teenie Harris Archive - Take a Quick Look!!!

Teenie was connected to the community.  He felt what he was shooting.  While he was both a freelance photographer and employed by the Pittsburgh Courier  he wasn’t your typical photojournalist.   When I visited the Carnegie Museum in Pittsburgh this weekend to see his work his images moved me.  I was taken in by his work.  As you look at his work you can see the life of his subjects.  His subjects were not be captured by the camera but rather liberated by the camera.  His images are not still images but rather they are real images.  Teenie’s images are life giving, life sustaining images as his subjects appear to be connecting with you as you look at them.  There is life in the eyes of his subjects. 

Teenie made sure that the African American community of that time was not forgotten.  He took shots of the life of times and as a result of his work we remember as he memorialized the glory days of his community.  Of his 80,000 negatives there are very few duplicates.  “He did not take unnecessary shots and was frugal with his photographic materials, which prompted Mayor Lawerence to refer to [Teenie] as ‘One Shot.’ While other photographers were taking multiple shots, [Teenie] had taken what he needed and was off to another assignment.”[1]  Teenie was a “sure shooter” he knew he had the shot; he got it, and moved on.  He was sure because his work came out of a relationship with this work that assured a connection that transcended the viewfinder. In the end he has helped us remember because he connected.  As I look back at his work I ask what is it of my work? Will my work help us remember?

One Shot Teenie

Teenie Harris Photographer: Image, Memory, History

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[1] The Spirit of a Community: The Photographs of Charles ‘Teenie’ Harris (Westmoreland Museum of American Art), June 2001.,  P. 8