Friday, January 31, 2014

Spending time With Martin Parr


Martin Parr
Atlanta shut down for approximately three days as we were weathering a winter storm.   While we were stuck inside my shooting schedule had to change.  I had planned to shoot all three days we were locked up.  I had to reschedule my shooting for after the storm so the question became what will I do during the storm?

One thing I am learning from is the study of great photographers.  To study their work inspires me.  To see them do what they do and talk about their work gives me ideas and makes me look at my work and the creative process in new and exciting ways.

During my time of being locked up I spent time with Martin Parr.  You can pick your mentors.  Where I may never meet Martin Parr nothing can stop me from spending hours looking at his images and scouring over Youtube and Vimeo videos that feature him and therefore he becomes a mentor.  I spent three solid days in my self designed Martin Parr workshp.  Spent hours looking at Martin Parr’s books:
Martin Parr: Home and Abroad



Marin Parr: The Non-Conformists
The Non-Conformists

Martin Parr: Life's a Beach
Life's A Beach
Of Parr's work these three (above) are my favorites with Martin Parr: The Non-Conformists being the one that is presently in my bag.  The life he brings to the mill town of Hebden Bridge is simply amazing.  He took five years to document this town.  Simply amazing work!

I watched twenty-five videos that featured him.  The one that I liked the most was:
No Worries: Martin Parr – FotoFreo 2012

You see Martin Parr going about his work.  He is cool, calm and collected when he does what he does.  He walks, is patient and spends time literally in the midst of those he is connecting with as he creates images.  This moves me to be more patient.  It isn’t about how many images I take per day but how many connections I make each day.  It is through seeing and connecting that the images will emerge.

Parr connects with the spirit of the people and the experience he is photographing.  I have to connect.  To get the story, to get the image, to capture the spirit it takes connection.  Parr understands the backstory to the story he is photographing.  He helps me see the key is not so much the bigger picture but rather the details. He says, “My job as a photographer is to turn those details into images that can communicate to a larger audience.” While not disregarding the bigger picture, it is those small details, those thing the average person would miss that the photographer must see.

To see him interact with those he was photographing and sometimes even coaching them “not to smile” was something that I don’t do when doing street photography.  Parr showed me the need to engage and talk with those I am photographing and not be afraid to set up the photo.  If the set up is true to the setting and you are using props that bring the image alive then use it.

Parr records what he calls “normal life.”  This was good for me to hear.  We can record “normal life” because life as lived is worthy of being recorded by the professional photographer.  This “vernacular” photography is worthy of what we do. Thanks Martin Parr for depositing in yet another way of seeing and creating.  Now off to shoot…..the storm has passed and I must go and create.  Who are your mentors?  Who are you listening to?  Whose is inspiring you to take your craft to a new level?

Sunday, January 26, 2014

Faith in Sweet Auburn: Revival?.....A Seeing Project

Faith in Sweet Auburn: Revival?.....A Seeing Project



Vanessa, my wife, and I moved to Atlanta three years ago.  When we moved to Atlanta we made it  our goal to fall in love with our city.  We combed the city that first summer like scavenger hunters.  We went everywhere and read all we could about the history of Atlanta. One book that I couldn’t let go of and read several times was Gary M. Pomerantz book, Where Peachtree Meets Sweet Auburn:  A Saga of Race and Family.  In this book Pomerantz tells the story of Atlanta through the lens of two families. The Allen family and the Dobbs family are the centers to Pomerantz’s book.  Both of these families produced mayors of our city.


Ivan Allen Jr. was  the 52nd mayor of Atlanta and he served from 1962 to 1970.  Maynard Jackson, the grandson of John Wesley Dobbs was our 54th and 56th mayor serving terms from 1974 to 1982 and then from 1990 to 1994.  Pomerantz connects these two families in terms of their leadership and shaping of Atlanta and the two streets that are synonymous with their stories, those streets being Auburn Avenue and Peachtree.  It was in reading this book that I was drawn into the history of Auburn Avenue to later be called Sweet Auburn.
Mayors Ivan Allen Jr. and Maynard Jackson
John Wesley Dobbs
@Ralph Basui Watkins
John Wesley Dobbs Monument
on Sweet Auburn 2014
Legend has it that Maynard Jackson’s grandfather, John Wesley Dobbs, coined the name Sweet Auburn.John Wesley Dobbs named the street Sweet Auburn because it was the richest place in the country in terms of African American wealth.  It was the cultural and business center of the African American community in Atlanta.  In 1956, Fortune magazine called Sweet Auburn the richest Negro street in the world.  The Georgia Trust for Historic Preservation designated this street, which was once rich, in 2006 as a “Place in Peril.” In an attempt to revive this historic district one move has been the city of Atlanta’s streetcar project. 


The streetcar project is a 2.7 mile loop that connects the historic district of Sweet Auburn, to include the Rev. Dr. Martin L. King Jr. National Historic Site, to downtown.  The hope is to revive this community by providing a new transit route that will bring both tourist and residents to this area.  The residents will not look like those who were there during the time of John Wesley Dobbs.  The new housing in this area is geared to a downtown / mid-town resident who will be middle to upper middle class. What will Sweet Auburn look like in the future?  Who will walk this street?  Will its history be maintained, remembered or celebrated?  Will the Black pass of Sweet Auburn be covered over in the green of new dollars, new people, new tourist traffic and new ways of living?  Should we care?  Will we see what is happening? Will we remember to remember? Does it matter?
The Atlanta Streetcar Map http://streetcar.atlantaga.gov
@Ralph Basui Watkins
I am watching.  The project that I have committed myself to over the next few years is to see what is happening?  Where is urban renewal taking us?  I have begun a writing, photo and documentary project to tell the story of the transformation of Sweet Auburn.  Is this a revival, gentrification, urban renewal or simply the next chapter of Sweet Auburn’s history?  I don’t know what this is but what I ask is that you walk with me as I walk this street, take pictures, do interviews, shoot video and write about the experience.  What will see and what will we do about what see? 













Monday, January 20, 2014

Developing a Master's Eye - Seeing and Shooting

Developing a Master’s Eye – Seeing and Shooting
Alex Webb




“I only know how to approach a place by walking.  For what does a street photographer do but watch and wait and talk, and then watch and wait some more, trying to remain confident that unexpected, the unknown, or the secret heart of the known awaits just around the corner.”
Alex Webb





I am drawn to street photography.  It is strange things in that you don’t have control, you can’t set up lights and your subjects tend not to pose for you.  As Alex Webb says, it is about waiting, talking, hoping, waiting and believing that the shoot is around the next corner.  You can go out all day and get nothing.  Nothing happens, that secret heart that you hoped would appear just around the corner is not there. As a street photographer you have to get up, go out and shoot. It is like being a hunter according to Bruce Davidson. 

The challenge of street photographer excites me. The uncertainty, the chase, the hunt, the framing of subjects who aren’t posed, the hours, the walking, the waiting, the hoping and the shoot is what calls me to the streets.  That shoot you get that you have been seeing and hoping for happens.  It doesn’t happen often but it happens.  If I have learned anything from being at the Savannah College of Art and Design it is that that shoot, that good picture isn’t a dime a dozen.  The good picture, the secret of the heart maybe that one out the one hundred I shoot in any given week or month, good work takes a long time and some luck.

Alex Webb. Port-au-Prince, Haiti 1987 "Memorial for victims of army violence" 
I have also learned how important it is to train your eye. If you hope to make powerful images that move people to feel what you see then you have to study those images that do what you hope your images will do.  I make it a practice to study the masters of my field.  I study everything about them.  It is not enough to study the images they have created.  To simply study the images they have created is to study their work in isolation.  To study them means just that.  You must study their biography.  You must study their methodology, praxis, practice and habits.  I love reading the stories about their work.  I love reading about the process that informed their work.  I love lingering over their contact sheets.   When I study their contact sheets I can see them shooting, I can hear them thinking, I can see them framing the shoot, I can see them scouring their contact sheets making the decision!  This is the SHOOT!

To train the eye the photographer must both shoot and study.  To study and not shoot will not improve our work.  The challenge for me is to go out and shoot and have some sense of satisfaction with my work.  I always feel like…I could do better.  I am always pushing myself, never satisfied with what I shoot or what I write.  When I study the masters I see the definition of good and it inspires me to go out and create!  I don’t strive to be them but rather by studying them I am finding out who I am as an artist.  I want to be me and in being me I want to be the best me and to achieve that goal I have to study, train my eye, shoot, linger over my contact sheets and pick that shoot(s).  I encourage you to study the masters of your filed.  Study them and they will mentor you and make you the artist you were created to be.  Let’s create!  What will you create today?  What are you working on?
Alex Webb. Tenosique, Mexico 2007 "Murder outside a bar"

http://www.webbnorriswebb.co










Monday, January 6, 2014

New Year, New Day, New Quarter: SCAD-Excited

New Year, New Day, New Quarter: SCAD-Excited

January 6, 2014 was one of the coldest days of the year in Atlanta Georgia. As my wife and I woke up we turned on the news and schools all over the region were announcing they were either closing or starting late.  For the Savannah College of Art and Design (SCAD) there was no such message about closing.  We artist do our work come rain, sleet, snow or hail!  Well, I was excited.   To start a new year, on a cold day for my second quarter at SCAD had me excited. I was looking forward to the growth this quarter would bring.  I was like a kid on the first day of school.

Forest McMullin
This quarter started off with a bang.  Our professor, Forest McMullin, emailed us over the break and he assigned reading for us to have done at the start of class and he told us to buckle up!  Well, day one of class was quite a ride.  The best professors are those who love what they do.  Their passion for the subject matter and their students can be felt throughout the classroom.  Forest is like a living light.  I am looking forward to studying with him.



The book for the class is Photography Changes Everything edited by Marvin Heiferman and the book is centered around six broad categories as it relates to the power and impact of photography:
1.     Photography changes what we want
2.     Photography changes what we see
3.     Photography changes who we are
4.     Photography changes what we do
5.     Photography changes where we go
6.     Photography changes what we remember
There is a power in the still image and it influences us in so many ways.  I choose to focus my study in photography because I firmly believe that good images can change the world.  In the foreword of Photography Changes Everything Merry A. Foresta wrote, “…photographs give us a reason to tell stories.  Sometimes the stories are about the subject of the photograph, sometimes about the photographer, or what was going on when the photograph was taken.  Sometimes the photograph reminds one of another photograph and another moment”   In essence she is suggesting that photographs shape how we think, see and act.  Photographs are synergistic tools for storytelling, memory making and change.  A photograph, as the book claims, changes everything.  Photographs change what we want, what we seek, who we are, what we do, what we remember and the stories we tell.  Just try it, pull out some old pictures, start viewing them with your family, telling stories and see what those images do.  Tell me how powerful those images are as instruments of story.

I am in school to become a storyteller.  I am a storyteller who believes that some of the best stories are told with pictures.   For me the combination of pictures and words are the keys to unlocking the door for social change.  We must show the world what we are writing about.  As I enter this term I am reminded of those who I have looked up as classic photographers / storytellers.  Those who told stories with their pictures that when embedded in words, in a climate of change their images made our word different.  Their images changed our image and we were able to imagine a different world.    I am thinking of photographers like:
and so many more…
As I continue to become a photographer / artist / writer / storyteller I am so thankful for SCAD and the way in which they are molding us and making us as we seek to find our voice.  I am looking forward to creating, and yes I mean creating not making images; Photographers are creators and co-creators with the Divine.  We create not make.  it is my prayer that through the lens the world I see will help others to see how we can re-create our world to be a place of justice and equality.  Let the quarter begin. Happy New Year @ SCAD!